The Hallmark Society A field guide to antique and vintage jewelry

The Hallmark Society

The Journal

Everything the Society has published, newest first. 55 articles on reading hallmarks, dating a piece by its era, and telling one old cut from another.

  1. Eras ·

    Berlin Iron: The Jewelry of Patriots, Cast in Black

    In 1813 Prussian patriots handed in their gold to fund the war against Napoleon and received iron jewelry in return, inscribed Gold gab ich für Eisen: I gave gold for iron. The black lace they wore became one of history's most literate jewelry fashions.

    Berlin iron · Georgian jewelry · Materials · History

  2. Eras ·

    Bohemian Garnet Jewelry: A Hundred Small Fires

    The wine-dark Victorian brooches packed edge to edge with tiny red stones are Bohemian garnets: a whole Czech industry's worth of pyrope, rose-cut and massed until the metal disappears. Collectable, affordable, and full of small traps.

    Bohemian garnets · Garnet · Victorian jewelry · Collecting

  3. Eras ·

    Chatelaines: The Housekeeper's Toolbelt That Became High Jewelry

    Before pockets served women, the chatelaine did: a decorated waist-hook raining chains, each ending in a tool, watch, scissors, thimble, scent, notebook. It was jewelry, luggage and authority in one object, and complete survivors are prizes.

    Chatelaines · Victorian jewelry · Georgian jewelry · Objects of vertu

  4. Eras ·

    Cut Steel Jewelry: The Sparkle That Came From a Forge

    Before electric light, Europe sparkled by candle, and one of its favourite glitters was polished steel: hundreds of tiny faceted studs, each riveted by hand, flashing grey-white fire. Cut steel is jewelry from the blacksmith's family tree, and its enemies are not thieves but humidity.

    Cut steel · Georgian jewelry · Victorian jewelry · Materials

  5. Eras ·

    Mizpah Jewelry: One Word for Every Parting

    Thousands of Victorian brooches carry one strange word: MIZPAH. It is Hebrew, it quotes a covenant of watching over the absent, and it made the era's favourite parting gift, worn by everyone with someone somewhere else.

    Mizpah jewelry · Victorian jewelry · Sentimental jewelry · Collecting

  6. Eras ·

    Pinchbeck: The Georgian Alloy That Fooled the Eye and Told the Truth

    Christopher Pinchbeck's alloy looked like gold, wore like gold, and cost like brass, and Georgian society wore it without shame. Genuine pinchbeck is now rarer than the gold it imitated, and collectors treat it accordingly.

    Pinchbeck · Georgian jewelry · Metals · Collecting

  7. Eras ·

    Poison Rings: The Legend, and What the Compartments Really Held

    Every compartment ring arrives with the same story: Renaissance poisoners, Lucrezia Borgia, a hinged bezel of doom. The rings are genuine and wonderful; the poison is almost entirely retrospective marketing. Here is what the little boxes really held.

    Poison rings · Compartment rings · Locket rings · Collecting

  8. Eras ·

    REGARD Rings: Jewelry That Spells Its Message in Stones

    Georgian and Victorian lovers sent messages their jewellers set in code: ruby, emerald, garnet, amethyst, ruby, diamond. Read the first letters and the ring says REGARD. The acrostic ring is sentiment made spellable.

    Acrostic jewelry · REGARD rings · Victorian jewelry · Georgian jewelry

  9. Eras ·

    Scottish Agate Jewelry: The Pebbles That Conquered Victorian Britain

    Queen Victoria bought Balmoral and Britain went tartan, in silver and stone as much as cloth. Scottish pebble jewelry, agates and cairngorms in strap-and-buckle silver, is one of the most recognisable Victorian genres, and one of the most faked-around-the-edges.

    Scottish agate · Pebble jewelry · Victorian jewelry · Collecting

  10. Eras ·

    Vinaigrettes and Scent Jewelry: Perfume as Portable Silver

    Before deodorised cities, scent was carried: tiny silver boxes with pierced golden grilles, vinegar sponges inside, snapped open under assaulted noses. The vinaigrette is the most charming small silver a collector can chase, and the grille is where the artistry lives.

    Vinaigrettes · Scent bottles · Objects of vertu · Silver

  11. Hallmarks ·

    British Import Marks: When Foreign Jewelry Passed Through the Hall

    A British hallmark on a piece that looks nothing like British work is not a contradiction. It is an import mark, and it records the exact system built to let foreign jewelry into the British market with its metal vouched for.

    British hallmarks · Import marks · Hallmarks · Dating antique jewelry

  12. Hallmarks ·

    Convention Hallmarks: The Marks That Cross Borders

    In 1972 a group of European states agreed to trust each other's assay offices, and a new mark was born: fineness figures inside balance scales, valid across every member border. Any piece carrying it is talking about the modern trade era, precisely.

    Convention hallmarks · Hallmarks · International trade · Modern jewelry

  13. Hallmarks ·

    Date Letters Explained: How One Stamped Letter Names a Year

    A single letter, struck two millimetres tall, can name the exact year a piece passed through an assay office. It is the closest thing antique jewelry has to a birth certificate, and reading it correctly means knowing which alphabet, which office and which cycle you are looking at.

    Date letters · Hallmarks · Dating antique jewelry · British hallmarks

  14. Hallmarks ·

    Fake Hallmarks: How Marks Are Forged, and How They Are Caught

    The hallmark system was designed against fraud, which means fraud against the system has a long history of its own. Knowing the three ways marks are faked is most of knowing how to catch them.

    Fake hallmarks · Forgery · Hallmarks · Collecting

  15. Hallmarks ·

    Gilding Through the Ages: Fire, Leaf, Vermeil and the Electric Revolution

    A gold surface on a silver or base object can be five different things, made four different ways across two thousand years. Reading which gilding you are looking at dates the object and prices it, and the differences sit under any loupe.

    Gilding · Vermeil · Fire gilding · Techniques

  16. Hallmarks ·

    How to Photograph a Hallmark So It Can Actually Be Read

    The commonest reason a mark cannot be identified is not rarity. It is a photograph taken from too far, lit from the front, and focused on hope. The fix costs nothing and takes five minutes to learn.

    Photography · Hallmarks · Identification · Practical guides

  17. Hallmarks ·

    Maker's Marks Explained: Finding the Hands Behind the Initials

    Two initials in a tiny punch can turn an anonymous ring into a documented object with a workshop, a city and a span of working years. The trick is knowing that the initials were registered, and that many of the registers survive.

    Maker's marks · Hallmarks · Registers · Dating antique jewelry

  18. Hallmarks ·

    Platinum Hallmarks: The Marks of the Youngest Precious Metal

    The great irony of platinum is chronological: Edwardian and Art Deco jewellers built their masterpieces in it while most hallmarking law did not yet recognise it. Its marks are young, precise, and their absence is itself a date.

    Platinum · Hallmarks · Art Deco · Edwardian

  19. Hallmarks ·

    Pseudo-Hallmarks: The Marks That Only Look Official

    Some of the most confusing marks on antique metal were never in any assay office's books. They were struck to look official, by makers trading on the hallmark's prestige, and reading them is its own small discipline.

    Pseudo-hallmarks · Hallmarks · Hanau · Silver

  20. Hallmarks ·

    Sheffield Plate vs EPNS: Two Silvers That Are Not Silver

    Both wear silver faces over base hearts, and there the kinship ends. Old Sheffield plate is a Georgian craft with its own collectors; EPNS is the Victorian mass product that killed it. The copper bleeding through is the whole story.

    Sheffield plate · EPNS · Silver plate · Silver

  21. Hallmarks ·

    Silver Standards Explained: Sterling, Britannia, 830 and the Rest

    Silver has never had one definition. Sterling is a standard, not a synonym, and the numbers stamped on continental, Nordic and Russian silver each promise something slightly different. Reading them together is a map of Europe in fractions.

    Silver · Silver standards · Hallmarks · Sterling

  22. Hallmarks ·

    The Duty Mark: How a Tax Stamp Became a Dating Tool

    For just over a century, British gold and silver paid a tax at the assay office, and the receipt was a monarch's head struck beside the hallmarks. That little profile is one of the sharpest dating instruments in the entire system.

    Duty marks · British hallmarks · Dating antique jewelry · History

  23. Hallmarks ·

    Watch Case Hallmarks: Dating a Watch From Its Shell

    The movement gets the glamour, but the case got the hallmarks. Inside a gold or silver watch back sits a full assay row, often with a date letter, and it dates the shell to a year the movement can only envy.

    Watch cases · Hallmarks · Date letters · Dating antique jewelry

  24. Hallmarks ·

    What Is an Assay Office? The Institution Behind Every Hallmark

    Every hallmark is a receipt from an institution. Before the punch could be struck, someone scraped, melted or scanned the metal and staked the office's name on the result. Understanding that institution is understanding why hallmarks can be trusted at all.

    Hallmarks · Assay offices · Gold · Silver

  25. Hallmarks ·

    Why Is My Jewelry Not Hallmarked? The Honest Reasons for Missing Marks

    Unmarked does not mean fake, and it never has. The marking systems left deliberate gaps, exemptions, foreign trade, whole unmarked eras, and time itself erases punches. What matters is knowing which gap your piece fell through.

    Hallmarks · Unmarked jewelry · Authentication · Dating antique jewelry

  26. Stones & cuts ·

    Early Plastics in Jewelry: Celluloid, Bakelite, Casein and Their Tests

    The first plastics were not cheap substitutes but wonder materials, and Bakelite bangles now outsell the gold ones beside them. Identifying celluloid, casein and Bakelite is scent-and-sound detective work, and the market pays for getting it right.

    Bakelite · Celluloid · Early plastics · Identification

  27. Stones & cuts ·

    Essex Crystal: The Reverse Intaglio That Paints in Depth

    Look into a Victorian Essex crystal and a tiny fox terrier looks back, floating inside the stone in full three dimensions. The trick is an intaglio carved and painted from behind, and the genre is one of Victorian jewelry's most delightful dead ends.

    Essex crystal · Reverse intaglio · Victorian jewelry · Rock crystal

  28. Stones & cuts ·

    Paste Jewelry: The Glass That Was Never Ashamed of Itself

    Paste is not fake diamond. It is glass, cut and foiled by hand for candlelight, worn openly by people who could afford diamonds and often preferred the glass. Old paste is a legitimate jewel with its own connoisseurship.

    Paste jewelry · Georgian jewelry · Victorian jewelry · Stones

  29. Stones & cuts ·

    Repoussé and Chasing: Drawing on Metal With a Hammer

    Nearly every raised flower, scroll and figure on antique metal was made by two hammers working opposite sides of the same sheet. Repoussé and chasing are the yin and yang of metal relief, and telling hand work from stamping is a core collector skill.

    Repoussé · Chasing · Techniques · Silver

  30. Stones & cuts ·

    Tortoiseshell and Piqué: Beauty, Craft, and the Law Around Both

    The amber-and-brown mottled combs and gold-starred piqué brooches of Victorian dressing tables are hawksbill shell, a material now rightly fenced by law. Collectors need both skills: telling real shell from its imitations, and knowing what the rules allow.

    Tortoiseshell · Piqué · Victorian jewelry · Identification

  31. Stones & cuts ·

    What Is an Intaglio? The Carving That Prints

    Press an intaglio into wax and it prints its image in relief: it is a sculpture in negative, made to sign documents before signatures existed, and collected for two thousand years.

    Intaglios · Engraved gems · Seals · Collecting

  32. Stones & cuts ·

    What Is Granulation? Gold Dust Frozen in Place

    The Etruscans covered gold with thousands of near-microscopic beads, each attached without visible solder, and then the knowledge vanished for two millennia. Granulation is jewelry's most famous lost-and-found technique.

    Granulation · Etruscan revival · Goldsmithing · Techniques

  33. Stones & cuts ·

    What Is Guilloché? Engine-Turned Patterns Under Glass-Clear Enamel

    Those hypnotic engraved waves and sunbursts under coloured translucent enamel were cut by hand-guided machines called rose engines, and the technique's name, guilloché, covers some of the most luminous surfaces in antique jewelry.

    Guilloché · Engine turning · Enamel · Fabergé

  34. Stones & cuts ·

    What Is Marcasite? The Sparkle That Is Actually Pyrite

    The tiny steel-grey stones glittering from old silver are pyrite wearing a borrowed name. Marcasite is honest sparkle three centuries old, and its settings, eras and imitations are all readable.

    Marcasite · Pyrite · Silver jewelry · Art Deco

  35. Stones & cuts ·

    What Is Niello? The Black That Is Not Enamel

    The deep black inlay on Russian silver cigarette cases and Siamese bracelets is neither enamel nor tarnish. It is niello, a fused metal-sulphide with its own two-thousand-year history and its own collecting field.

    Niello · Silver · Russian silver · Techniques

  36. Stones & cuts ·

    Whitby Jet: How to Know the Real Black From All the Others

    Victorian mourning made black jewelry an industry, and the industry made substitutes. Telling Whitby jet from French jet, vulcanite and bog oak is the defining skill of the genre, and it takes warmth, weight and a loupe.

    Whitby jet · Jet · Mourning jewelry · Victorian jewelry

  37. Hallmarks ·

    French Hallmarks: How to Read the Smallest Marks in Europe

    France never used a date letter, which is why people assume French pieces cannot be dated. They are wrong. France changed its guarantee marks at datable moments, and two marks read together will often bracket a piece to twenty years or less.

    French hallmarks · Hallmarks · Dating antique jewelry · Gold

  38. Hallmarks ·

    Which Countries Actually Hallmark, and Which Only Pretend To

    You can only look up a mark if somebody kept a register. That single fact explains why one country's jewelry gives up its year in seconds and another's will never tell you anything at all, however good your reference books are.

    Hallmarking systems · Assay offices · Maker marks · Date letters

  39. Care & value ·

    What Is My Antique Jewelry Worth?

    Every piece of jewelry has four different values at the same time, and most disappointment comes from being quoted one and expecting another. Here is what actually drives the number, and how to find out where your piece sits before anyone makes you an offer.

    Valuation · Selling jewelry · Melt value · Appraisal

  40. Care & value ·

    You Have Inherited a Box of Jewelry. Now What?

    The box arrives with no documentation, several generations mixed together and at least one thing nobody can identify. There is a sensible order to work through it, and two irreversible mistakes to avoid before you start.

    Inherited jewelry · Sorting · Cleaning · Selling

  41. Eras ·

    Antique or Vintage? What the Words Actually Mean

    Two words, used interchangeably by almost everyone selling jewelry and precisely by almost everyone buying it. The difference is not pedantry. It changes what customs charges, what an insurer accepts and what a description is claiming.

    Antique jewelry · Vintage jewelry · Definitions

  42. Eras ·

    Art Deco Jewelry: How to Tell Real from Reproduction

    Art Deco is the most reproduced style in the history of jewelry, which means most pieces described as Deco were made decades after the period ended. The genuine article is identifiable, and the tells are all in construction rather than design.

    Art Deco · Platinum · Calibre cut · Reproduction

  43. Eras ·

    Art Nouveau Jewelry: The Twenty Years Everything Curved

    For twenty years jewelry stopped being about the value of its materials and started being about what it looked like. Horn, glass and enamel were used in preference to diamonds. It did not last, it was never commercially large, and almost everything you see described as Art Nouveau was made after 1970.

    Art Nouveau · Plique-a-jour · Enamel · Lalique

  44. Eras ·

    Edwardian Jewelry: Platinum, Millegrain and the Garland Style

    For about fifteen years jewelry tried to look like lace. It could only try because a new metal had arrived: platinum, strong enough to hold a diamond in a claw so fine it almost disappears. Everything else about the period follows from that one fact.

    Edwardian jewelry · Belle Epoque · Platinum · Millegrain

  45. Eras ·

    Georgian Jewelry: What Survives, and How to Know It

    A hundred and twenty three years of jewelry made entirely by hand, in a world lit by candles, before anyone had invented a machine that could help. Very little of it survives, most of what does has been altered, and almost all of it can be ruined in a sink of warm water.

    Georgian jewelry · Foiled stones · Closed back · Rose cut

  46. Eras ·

    How to Date Antique Jewelry: The Method Dealers Actually Use

    You can get surprisingly far with no equipment at all. Jewelry is made of fashion, technology and materials, and all three changed at moments we can date. Here is the order to work in and, more importantly, what each clue is really worth.

    Dating antique jewelry · Jewelry eras · Findings · Hallmarks

  47. Eras ·

    Retro Jewelry: What Wartime Scarcity Made

    For fifteen years jewelry got large, golden and architectural. It was not a change of taste so much as a change of supply: platinum was requisitioned for the war, good stones were unobtainable, and designers made scale do the work that materials used to do.

    Retro jewelry · Rose gold · Cocktail rings · 1940s

  48. Eras ·

    Victorian Jewelry: How to Recognise the Three Periods

    Sixty four years is too long to be a style. Victoria came to the throne when jewelry was still made one piece at a time by hand, and died when it was being stamped out by machine in Birmingham by the thousand. The period divides into three, and the divisions are visible.

    Victorian jewelry · Mourning jewelry · Jet · Gold

  49. Hallmarks ·

    How to Read Hallmarks on Gold and Silver

    A hallmark is the closest thing jewelry has to a birth certificate. It can give you the metal, the standard, the city and, in Britain and Scandinavia, the exact year. It can also be entirely absent from a perfectly genuine antique, which is why knowing what a mark cannot tell you matters as much as knowing what it can.

    Hallmarks · Assay offices · Fineness · Date letters

  50. Hallmarks ·

    How to Tell If Gold Is Real: Seven Tests, Ranked

    A stamp is a claim, not a fact. Here are the tests in order of how much they prove and how much damage they do, starting with the ones that cost nothing and ending with the one that settles it.

    Testing gold · Fake gold · Acid test · XRF

  51. Hallmarks ·

    What 375, 585, 750 and 925 Mean on Jewelry

    A number stamped on metal is the most common mark in jewelry and the most commonly misread. It is not a date, not a weight and not a guarantee of quality. It is one thing only: how much of the alloy is precious metal, counted in parts per thousand.

    Fineness · Carat · Gold marks · Silver marks

  52. Stones & cuts ·

    Every Diamond Cut, in the Order It Was Invented

    Cutting is a technology, and like every technology it advanced when the tools did. Read these in order and you are reading five hundred years of what a workshop was physically able to do, which is why the cut of a stone dates the jewelry around it.

    Diamond cuts · Cutting history · Old cuts · Step cuts

  53. Stones & cuts ·

    Fancy Shapes: Marquise, Pear, Oval, Briolette and Cabochon

    Round is the shape that wastes the most rough and returns the most light. Everything else on this page exists because a cutter looked at an awkward crystal and decided that keeping the weight mattered more than following the rules.

    Marquise · Pear cut · Oval · Briolette

  54. Stones & cuts ·

    Old Cut Diamonds: Mine, European, Transitional and Rose

    Every facet on a diamond cut before about 1900 was placed by hand, judged by eye, against a wheel turned by a foot treadle, in a room lit by daylight and candles. The cuts that resulted are not worse than modern ones. They were cut for a different room.

    Old mine cut · Old European cut · Rose cut · Diamond cutting

  55. Stones & cuts ·

    Step Cuts: Emerald, Asscher, Baguette and Carre

    A brilliant hides a stone's faults behind sparkle. A step cut does the opposite: it opens a window straight down into the material and dares you to look. That honesty is why the trade respects them and why they are so much harder to buy well.

    Emerald cut · Asscher cut · Baguette · Calibre cut